Album Review: Chuckles and Mr. Squeezy

Dredg’s new direction may be an inspired attempt to recreate their progressive sound, but it’s not a record that will be on my playlist very much this summer. The news of Dan The Automator (Loveage, Gorillaz) as producer raised expectations and made this album one of my most anticipated releases of the year.

Ultimately, the album is haunted by a generic, radio-friendly formula that offers very little of the creativity found on classic Dredg releases like El Cielo and Catch Without Arms. Album opener, “Another Tribe,” offers a tease of what could have been, featuring Dan The Automator’s signature sound. However, Chuckles and Mr. Squeezy continues with bland offerings like “Upon Returning” and “Somebody is Laughing.” Hard core Dredg fans may be pleased to find live, unreleased favorite “The Ornament” on the tracklist. However, the studio version feels out of place and not nearly as interesting as the live incarnation. I’m still a huge Dredg fan, but I hope the band steers the musical direction back toward progressive, creative soundscapes on the next release.

Chuckles And Mr. Squeezy by Dredg

New Dredg Album Due May 3rd, Dan The Automator Produces

Radiohead surprises with a new record, and now Dredg says they’ve already finished a Dan The Automator-produced album? I’m not sure if the music gods have smiled harder within one week! Dredg made the announcement on their website and Facebook page today. You can read all the details here. The album drops on May 3 and will be followed by a world tour.

Dan The Automator – Sex (I’m A) by Ulrich_

Dredg – Brushstroke An Elephant In The Delta Waves – 13 by @fish_mx

Fishpork’s 50 Favorite Tracks of 2009

This year really didn’t end up being that “greatest of the decade” as January-March may have suggested. With that said, our favorite tracks list became very album-heavy as it evolved throughout the year. With seven tracks from Animal Collective and Grizzly Bear in the top 20, you kinda get the point. Here is our very biased list of favorite tracks from 2009:

1. HEALTH – “Die Slow”
2. Grizzly Bear – “While You Wait for the Others“
3. Animal Collective – “Summertime Clothes”
4. Fuck Buttons – “Olympians”
5. Built to Spill – “Things Fall Apart”
6. Animal Collective – “My Girls”
7. Fever Ray – “Concrete Walls”
8. Grizzly Bear – “Ready, Able“
9. White Lies – “Farewell to the Foreground”
10. Moderat – “New Error”
11. Atlas Sound – “Attic Lights”
12. Grizzly Bear – “Two Weeks“
13. Animal Collective – “Guy’s Eyes”
14. Fuck Buttons – “The Lisbon Maru”
15. Atlas Sound – “Walkabout”
16. Animal Collective – “What Would I Want? Sky”
17. Dredg – “Information”
18. White Lies – “Death”
19. Fever Ray – “Coconut”
20. Animal Collective – “Brothersport”
21. Built to Spill – “Good Ol’ Boredom”
22. MC Rut – “I Don’t Really Know”
23. The Mars Volta – “Since We’ve Been Wrong”
24. Modest Mouse – “The Whale Song”
25. Dirty Projectors – “Cannibal Resource”
26. Deerhunter – “Game of Diamonds”
27. Morrissey – “It’s Not Your Birthday Anymore”
28. Animal Collective – “I Think I Can”
29. HEALTH – “We Are Water”
30. Dredg – “Mourning This Morning”
31. Sufjan Stevens – “You Are the Blood”
32. Fuck Buttons – “Surf Solar”
33. Phoenix – “Girlfriend”
34. The Flaming Lips – “Silver Trembling Hands”
35. White Rabbits – “Rudie Fails”
36. The Mars Volta – “With Twilight As Our Guide”
37. Radiohead – “These Are My Twisted Words”
38. Great Northern – “Fingers”
39. Royksopp – “Tricky, Tricky”
40. Dirty Projectors – “Useful Chamber”
41. St. Vincent – “The Party”
42. YACHT – “Ring The Bell”
43. Bat For Lashes – “Sleep Alone”
44. Atlas Sound – “Sheila”
45. Washed Out – “Feel It All Around”
46. Das Racist – “Combination Pizza Hut and Taco Bell”
47. Dirty Projectors – “Stillness Is The Move”
48. Yeah, Yeah, Yeahs – “Skeletons”
49. Great Northern – “Driveway”
50. Morrissey – “I’m OK By Myself”

The Fishpork 20: Favorite Albums of 2009

2009 started off as one of the strongest years for music in the decade but then slipped into a summer that left us scratching our heads and yearning for more. An impressive set of Fall releases surprised their way onto our Favorites List and cemented 2009 as a year that will impress music lovers in retrospect. These are our favorite albums from the past year:

1. Grizzly Bear – Veckatimest

2. Fever Ray – Fever Ray

3. Animal Collective – Merriweather Post Pavilion

4. Fuck Buttons – Tarot Sport

5. Built to Spill – There Is No Enemy

6. Atlas Sound – Logos

7. Morrissey – Years of Refusal

8. Dredg – The Pariah, The Parrot, The Delusion

9. White Lies – To Lose Your Life

10. Moderat – Moderat

11. The Mars Volta – Octahedron

12. MC Rut – Middle Class Rut

13. Dirty Projectors – Bitte Orca

14. Great Northern – Remind Me Where The Light Is

15. HEALTH – Get Color

16. Phoenix – Wolfgang Amadeus Phoenix

17. The Flaming Lips – Embyronic

18. Bat For Lashes – Two Suns

19. Isis – Wavering Radiant

20. Royksopp – Junior

Most Disappointing Albums:

• Lotus Plaza – The Floodlight Collective
• Wilco – Wilco (The Album)

Fishpork’s 100 Favorite Tracks of the 2000s

This is an attempt at the impossible. Here are our 100 favorite songs of the past decade (featuring multiple tracks from Animal Collective, The Knife, Radiohead, and Elliott Smith). Our top two choices are more like 1a and 1b. Be patient, as the page needs to load the embedded songs.

1. Panda Bear – “Bros” (2007)

2. The Knife – “We Share Our Mother’s Health” (2006)

3. Animal Collective – “For Reverend Green” (2007)

4. Grizzly Bear – “While You Wait For The Others” (2009)

5. The Knife – “Heartbeats” (2003)

6. Grizzly Bear – “The Knife” (2005)

7. LCD Soundsystem – “Someone Great” (2007)

8. TV on the Radio – “Staring at the Sun” (2003)

9. Crystal Castles – “Crimewave” (2008)

10. Beirut – “Ciloqut” (2007)

11. Thom Yorke – “Harrowdown Hill

12. Animal Collective – “Derek” (2007)

13. Nine Inch Nails – “Me, I’m Not” (2007)

14. Beck – “Lonesome Tears” (2002)

15. At The Drive-in – “One Armed Scissor” (2004)

16. Animal Collective – “Grass” (2005)

17. Deerhunter – “Nothing Ever Happened” (2008)

18. Atlas Sound – “Recent Bedroom” (2008)

19. Panda Bear – “Comfy in Nautica” (2007)

20. System of a Down – “Chop Suey” (2001)

21. Animal Collective – “Peacebone” (2007)

22. Battles – “Atlas” (2007)

23. Error – “Jack the Ripper” (2004)

24. Enon – “Pleasure and the Privilege”

25. Elliott Smith – “Son of Sam” (2000)

26. Animal Collective – “Did You See the Words” (2005)

27. The Knife – “Marble House” (2006)

28. LCD Soundsystem – “All My Friends” (2007)

29. Thom Yorke – “Analyse” (2006)

30. The Flaming Lips – “Ego Tripping at the Gates of Hell” (2002)

31. Girl Talk – “Smash Your Head” (2006)
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32. A Perfect Circle – “Judith” (2000)

33. Radiohead – “Idioteque” (2000)

34. Tapes N’ Tapes – “Manitoba” (2006)

35. TV On The Radio – “I Was A Lover” (2006)

36. Radiohead – “Reckoner” (2007)

37. Fever Ray – “Coconut” (2009)

38. Animal Collective – “My Girls” (2009)

39. Built to Spill – “Things Fall Apart” (2009)

40. Wilco – “I’m Trying to Break Your Heart” (2002)

41. Modest Mouse – “Tiny Cities Made of Ashes” (2000)

42. Animal Collective – “Leaf House” (2004)

43. Modeselektor – “Happy Birthday” (2007)

44. Arcade Fire – “Wake Up” (2004)

45. Autolux – “Blanket” (2004)

46. MGMT – “Time to Pretend” (2007)

47.  Built to Spill – “Conventional Wisdom” (2006)

48. Wilco – “Side With the Seeds” (2007)

49. Elliott Smith – “Happiness/The Gondola Man” (2000)

50. Avey Tare – “I’m Your Eagle Kisser” (2007)

51. Department of Eagles – “Waves of Rye” (2008)

52. Animal Collective – “Summertime Clothes” (2009)

53. Radiohead – “2+2 = 5″ (2003)

54. Dredg – “Sang Real” (2005)

55. While Lies – “Farewell to the Fairground” (2009)

56. Grizzly Bear – “Ready, Able” (2009)

57. Matisyahu – “King Without a Crown” (2005)

58. Modest Mouse – “Paper Thin Walls” (2000)

59. Dillinger Escape Plan – “When Good Dogs Do Bad Things” (2002)

60. Elliott Smith – “Twilight” (2004)

61. Deerhunter – “Flourescent Grey” (2007)

62. Holy Fuck – “Lovely Allen” (2007)

63. LCD Soundsystem – “Never As Tired As When I’m Waking Up” (2006)

64. The Notwist – “Boneless (Panda Bear Remix)” (2008)

65. Liars – “Nothing Is Ever Lost or Can Be Lost My Science Friend” (2004)

66. The Mars Volta – “Inertiatic E.S.P.” (2003)

67. The Notwist – “Solitaire” (2002)

68. Of Montreal – “The Past is a Grotesque Animal” (2007)

69. Queens of the Stone Age – “Tangled Up in Plaid” (2005)

70. Radiohead – “Jigsaw Falling Into Place” (2007)

71. Saul Williams – “Raised To Be Lowered” (2007)

72. Autolux – “Great Days for the Passenger Element” (2004)

73. Sigur Ros – “Untitled 8″ (2002)

74. Yeah, Yeah, Yeahs – “Maps” (2003)

75. Portishead – “Threads” (2008)

76. Sufjan Stevens – “Chicago” (2005)

77. Ugly Casanova – “Things I Don’t Remember” (2002)

78. Animal Collective – “Brothersport” (2009)

79. Radiohead – “Pyramid Song” (2001)

80. Nine Inch Nails – “Only” (2005)

81. El-P – “Flyentology” (2007)

82. Queens of the Stone Age – “No One Knows” (2002)

83. Ghostface Killah – “Shakey Dog” (2006)

84. Modest Mouse – “Missed the Boat” (2007)

85. UNKLE – “Persons and Machinery” (2007)

86. Amon Tobin – “Verbal” (2002)

87. The White Stripes – “Denial Twist” (2005)
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88. Tomahawk – “Captain Midnight” (2003)

89. Modest Mouse – “Bukowski” (2004)

90. Sigur Ros – “Hoppipolia” (2005)

92. Fuck Buttons – “Sweet Love For Planet Earth” (2008)

93. Bon Iver – “Skinny Love” (2008)

94. Built to Spill – “In Your Mind” (2001)

95. The White Stripes – “Icky Thump” (2007)

96. Does It Offend You, Yeah? – “We Are Rockstars” (2008)

97. Dub Trio – “Not Alone” (2006)

98. Modest Mouse – “The World At Large”

99. The Walkmen – “In the New Year” (2008)

100. Nine Inch Nails – “The Great Destroyer (Modwheelmood Remix)” (2007)

RX Bandits/Dredg @ TLA

The crowd at the Theater of Living Arts in Philly waited anxiously for RX Bandits while the opening band, Zechs Marquise, played their psych-rock collection of songs.  The siblings of famed Omar Rodriguez-Lopez (The Mars Volta), Marcel and Marfred, played intensely while slowly winning over the crowd.  As they played “Chase Scene” off their latest LP, Our Delicate Stranded Nightmare, the crowd became enamored. New fans started pushing their way towards the stage, intrigued by these trance-rock melodies. Zechs Marquise soon ended their set and introduced Dredg.

Lead singer Gavin Hayes entered and Dredg fans cheered with approval to start the next set. Gavin approached his slide guitar and played the overwhelming introduction to “Bug Eyes.” As Hayes moved his hands up and down the slide guitar, the crowd began pushing forward and soon started yelling the words to the song, “Bring back those good ol’ days | Nothing feels right; nothing ever goes my way | I threw my future away; now I walk alone.” Later in the set, Dredg decided to chill things out by playing an impressive rendition of “Zebra Skin.” Before letting the crowd get too mellow, Dredg highlighted their set with “Ode to the Sun.” The song had everyone in the crowd moving. As Dredg ended their set, the crowd began buzzing for what was next to come, RX Bandits.

“RXB! RXB! RXB!” the crowd chanted as they waited impatiently for the band to take the stage.  Christopher Tsagakis entered and approached his drum set as the crowd went insane. Fans pushed to get closer to the stage. RX Bandits didn’t disappoint, as they opened with a four-person drum intro. It was an amazing start to the show.  The rest of the band joined, and they went right into “In Her Drawer.” The mellower “Apparition” provided a much needed break for whoever was being pummeled during the first few songs. The crowd caught its collective breath and prepared for the next wave of songs.

The band’s setlist was mostly taken from their latest record Mandala.  The crowd showed their appreciation by sustaining their energy throughout the entire performance. When RX Bandits left the stage, the entire crowd started singing the lyrics to the band’s most popular song “Overcome,” “We’ve had enough of these politician’s wars; what we need right now is love | We’ve had enough of these military scoreboards; all we need right now is love.” The crowd continued for a solid three minutes until the band appeased their request for an encore.  As expected, they began with “Overcome,” and the loudness of the crowd peaked. RX Bandits played a few more songs before ending with the four-man drum solo. The show was an overpowering experience for anyone lucky enough to be in attendance.

Album Review: The Pariah, The Parrot, The Delusion

Dredg explores some new ground with old formulas on their impressive new release, The Pariah, The Parrot, The Delusion. Their former record and my personal favorite, Catch Without Arms, disappointed some hardcore fans who were expecting another Leifmotif or El Cielo. The album took a complete 180 from previous work and explored more accessible and pop-driven areas of Dredg’s creative palette. This time around, the format is similar to El Cielo, as the record includes an epic 18-tracks. Just as El Cielo segued with instrumental interludes labeled as “Movements,” Dredg calls these interludes (there are vocals) “Stamps of Origin” this time. The segues on El Cielo were often very strong additions to that record and served well as the glue tying the concept and cohesiveness of the album as a digestible whole. That’s not the case as much with The Pariah. The band’s sound is not much different than the previous effort, Catch Without Arms. Although this record is not as instantly impressive as that release, there is much here to like.

Dredg has left major lable Interscope and releases their new album on indie outfit Ohlone Recordings. The album cover takes the form of a letter, including concept-related postage. Dredg has always been a bit “out there” with the themes of their records. El Cielo was inspired and based entirely on the painting “Sleep Paralysis” by Salvador Dali. The effort resulted in 16-tracks that used sleep paralysis as the central theme. This time around the inspiration is a Salmon Rushdie essay, entitled A Letter to the Sixth Billionth Citizen. The album was dedicated to Deftone’s bassist Chi Cheng, who was in a serious accident during the time Dredg was recording. As of today, Cheng is still in a coma.

The Pariah, The Parrot, The Delusion starts off strong with the melodic and guitar-driven track “Pariah.” The song begins with the sound of children singing a harmony over a repeating piano rhythm but quickly turns to heavy guitar riffs and off-beat drumming. The song finally progresses to Dredg’s signature anthemic vocal chorus. One of the album’s two instrumentals follows with “Drunk-Slide”. However, the second instrumental, “Long Days and Vague Clues” is an epic track and album highlight, deserving of Grammy consideration for best instrumental at year’s end. A track that Dredg has been playing for sometime now live, “Ireland,” follows. The ballad-like track brings Dredg back to their El Cielo era with majestic guitars and a sweeping chorus.

Additional album highlights include “The Information,” Dredg’s most accessible song to date. “Saviour,” the album’s first single exhibits a louder, guitar-heavy sound more reminiscent of Dredg’s earlier recordings. “I Don’t Know” is another pop-friendly track that features spiritual overtones and revisits Dredg’s El Cielo sound. “Mourning This Morning” is funk-inspired guilty pleasure similar to “Zebraskin” off of Catch Without Arms. The album’s most unique and impressive track takes the form of “Quotes.” The song clocks in at at epic six minutes and takes more musical tangents than a Girl Talk track. The lyrics of lead singer Gavin Hayes are a standout here:

Our sobriety will diminish
Discriminate we fade slow, fade slow
These drugs will expand us
United we will grow

The overall critical response to The Pariah, The Parrot, The Delusion has been mostly positive and deservedly so. One of the few problems with The Pariah is its length. El Cielo was a excellent but tedious listen, as is this album. The Stamp of Origin tracks do not tie everything together as neatly as they did with the former and seem more like intermissions than interludes. Although the album does contain some filler, the majority of the record does support the fact that Dredg is still an important and relevant band. The band has scored a co-headlining tour with Rx Bandits and supporting act Zech Marchis (featuring Marcel Lopez-Rodriguez from The Mars Volta). Dredg has released a video for their latest single, The Information. You can watch it below:

http://www.dredg.com
http://myspace.com/dredg

All In The Family: An Interview With Zechs Marquise

Named after a popular Japanese anime character, Zechs Marquise are comprised of familiar names. Brothers of The Mars Volta mastermind Omar, Marfred and Marcel Rodriguez-Lopez have formed their own prog-rock groove outfit along with childhood friends Matthew Wilkson and Marcos Smith. Following a long and complicated road toward completing their debut album, Our Delicate Stranded Nightmare is finally getting a proper release via Rodriguez-Lopez Productions. The band has also scored an opening slot on a tour with RX Bandits and Dredg. Fishpork got a chance to talk with bassist Marfred about recording the album on their own equipment, the excitement of playing in New York and Philly for the first time, and planning everything around The Mars Volta.

Fishpork: Who in the band also plays with The Mars Volta? Are you finding it tough to plan around both of the bands’ schedules?

Marfred Rodriguez-Lopez: Well, Marcel [Rodriguez-Lopez] plays percussion and secondary keys in The Mars Volta. Yeah, it does become hard because we like to tour a lot more than we can.  And with their touring schedule we have to plan around it, but we do what we can.

FP: How is the release of Our Delicate Stranded Nightmare on Rodriguez-Lopez Productions different from when you guys released it last year?

MR: Not much. It’s mostly just [] differences and stuff. And now we’ll actually have somewhat of a backing with the record, because before last year . . . all of last year we pushed it ourselves. We sold it out of our web site and our MySpace and going out on tour with it and selling it that way. So it’s good to have that kind of backing.

FP: I heard you guys recorded the album on your own last year. How did that process work?

MR: We tried to go in and record at an old rehearsal place. We used to live next door to a gentleman that had a recording studio. Well, he works for one. We went in there to go work with it, and then he had a dispute with the actual owners of the studio. And within that time, we kinda put everything on hold. And in between then . . . I guess it was something like three or four months . . . we learned that the engineer wasn’t going to be working there anymore. And the studio went ahead, and they actually wiped out all the material we had on their drives there. When we went back to get it, it was already all gone. So with all of the gear that we had acquired over the last few years and stuff, we just kinda figured might as well do it ourselves and avoid the hassle of making a schedule or, even for that matter, paying for recording time. This way, what money we would have invested in, actually going to the studio and spending time in there, we could actually put it into our own recording equipment and record whenever we want to, not having to pay for hourly fees or for an engineer or any of that stuff.

FP: When you guys write songs, what’s that process like?

MR: Basically, we’ll just get together for a rehearsal or something, and we’ll just play whatever. And if we like it, we’ll take from there and kind of build upon it. Or sometimes each guy comes in with like a guitar riff, or I’ll come in with a bass line, or Marcel comes in with drums or whatever, and we just kind of add someone else’s idea.

FP: What kind of music are you guys listening to right now?

MR: Really anything, but particularly right now we’ve just been listening to a lot of funk and soul and hip hop, believe it or not. We’re listening to a lot of James Brown, some Delfonics stuff. And like I said just old hip hop . . . a lot of J Dilla. We do listen to a lot of different music, but lately that’s what we’ve been listening to a lot.

FP: What’s your favorite album of 2009 so far?

MR: That Crack the Skye by Mastodon.

FP: I saw that the band was making their way to New York and Philly. Will these shows be your first time playing gigs on the East Coast?

MR: Yeah, actually. We haven’t gone as far as . . . the furthest east that we’ve been, I believe is North Carolina. So it should actually be kinda fun. Everyone is looking forward to the Philly and New York shows in particular. Actually, one of the guys in the band has never even been up to the Northeast part of the country or the Midwest, so it’s going to be a good experience for him.

FP: How did you guys get hooked up with RX Bandits and Dredg?

MR: Apparently, Cathy over at Sargent House had turned RX onto Zechs. I guess played them a couple of tracks or gave them a CD or something, and they turned out to like it a lot. And they had this tour coming up for their new record and asked us to join them.

FP: What can we expect from your live shows?

MR: A lot of high energy, very aggressive music playing (laughs).

FP: What’s in store for the band for the rest of 2009?

Yeah, actually. We started working on our next record late last year and for the most part of this year. We’ve been working in between tours and Mars Volta scheduling. Hopefully, with any luck, we’ll get it out before the end of the year. If not, right at the beginning of next year. Looking forward to that one. It sounds completely different than what we did with Our Delicate (Stranded Nightmare).

www.myspace.com/zechsmarquise
www.rodriguezlopezproductions.com

May’s Fresh Pork Cuts

Mark’s:

• Deerhunter – “Rainwater Cassette Exchange”
• Dredg – “Saviour”
• Royksopp – “Happy Up Here (Holy Fuck Remix)”
• Atlas Sound – “Time Warp”
• HEALTH – “Die Slow”

Pete’s:

• Bat For Lashes – “Pearl’s Dream”
• Isis – “Hall of the Dead”
• A Shoreline Dream – “Hypermode”
• Great Northern – “Warning”
• The Crystal Method featuring Matisyahu – “Drown In The Now”