Nine Inch Nails @ Wachovia Center

I avoid arenas at all costs ever since The Mars Volta played an inaudible set opening up for System of a Down a few years back at the Wachovia Center. Generally speaking, large venues like outdoor festivals and arenas do not produce the sound or intimate setting one desires when seeing your favorite band. Although I still believe in that notion, recent events have made me realize that certain acts can pull it off. My last concert review raved about the sound that Radiohead was able to achieve at their recent All Points West headlining gig. This past Friday, Trent Reznor and company pulled off what I thought was just not possible at the Wachovia Center (and I’ve been there a bunch times).

Fans have been raving about the lights, set lists and sound on Nine Inch Nails’ recent Lights in the Sky over North America tour. I had seen YouTube videos of the lights, read set lists on EchoingtheSound, but was reluctant to believe that good sound was possible in that building. I don’t like to admit it often, but I was wrong. And I wouldn’t expect anyone else to shut me up. Let me just say that sound was mixed to perfection. Although you can’t overcome all of the downfalls of playing in an arena designed for sporting events, it just worked this time. Take notes System of a Down, The Mars Volta and Tool.

On a poor tip I overheard at a parking lot tailgate, we planned to enter the arena at 8:30 in time to hit the general admission floor at 8:50. As we entered I heard the opening riffs of 999,999/1,000,000 and rushed to the gate and entered the floor. It actually sounded so good, we first thought it was the PA system. “What arroagant bastards would play their own songs before a show?” I thought to myself. That was not the case, as an amazing 31-song set list would follow the opener.

The lights were something I’ve never seen used before. And, honestly, I could not explain how they worked if I tried. There are some YouTube videos that highlight some of these techniques but will not do them justice. You simply have to experience this for yourself. I’m posting one of those videos here anyway:

My favorite was when the lighting tech used a flood light to erase the images on a screen that is dropped in front of the stage. It makes me wonder how much money all of these lighting rigs cost.

The setlist was as satisfying as any NIN show I’ve been to (and I’m in double digits now). I’ve never heard Down In It played live before, and it was certainly a treat. Trent introduced it, saying,”This is an old song, a really old song.” Down In It was the first NIN single ever released. It came out in 1988 and preceded the 1989 release of debut album Pretty Hate Machine. Another rare track that surprised the crowd was Reptile. From what I can remember, it received the loudest cheers, both as the song began and after it was finished. Several songs from the Ghosts I-IV album were performed in chunks, highlighted by Trent playing a giant xylophone and new bassist Justin Meldel-Johnsen (formerly of Beck) on stand-up bass.

The new players represent the strongest overall lineup of the live band. Robin Finck plays a much meaner lead guitar than Aaron North did. North’s acrobatic antics on stage lost their novelty rather quickly, and Finck’s presence is menacing. Meldal-Johnsen is better known as being Beck’s bassist for years and looks a bit strange with his super-fro dyed black. However, he has a lot more energy than Jeordie White (formerly of Marilyn Manson) presented in the last incarnation. And what can you say about Josh Freese. This guy is on something. It’s not because of his physique but his relentless intensity. Some of the songs played on this tour have some complicated percussion arrangements that not many drummers would be able to pull off so effortlessly night after night. For now, I will forgive the fact that Josh is also the studio drummer for the Inidigo Girls, Daughtry, Kelly Clarkson, Avril Lavigne, and Miley Cyrus.

Trent looked awkwardly buff as usual and should definitely be tested for steroids. He’s sporting a dark beard now, which could only explain that he is hard at work on Year Zero 2 and the HBO project (and doesn’t have time to shave). He was more talkative than usual and described how he had tried to escape Pennsylvania for 18 years as a youth and now finds himself back where he started. He went on about how at the beginning there were all dudes at his shows, and now he notices more chicks (which I’ve heard him say at least three times before). He also mentioned that he talks too much and will stop at future shows.

Overall, the show was great, especially considering the size of the Wachovia Center in Philadelphia. It’s interesting to see how the theatrical side of NIN live, as well as the lineup, has evolved over the years. And it’s difficult to imagine how Mr. reznor will possibly top these concerts. Then again, I remember saying that two years ago. Here is the full set list:

1. 999,999 [Intro]
2. 1,000,000
3. Letting You
4. Discipline
5. March Of The Pigs
6. Head Down
7. The Frail
8. The Wretched
9. Closer [The Only Time Breakdown]
10. Gave Up
11. Me, I’m Not
12. The Great Destroyer
13. Ghosts 5
14. Ghosts 17
15. Ghosts 19
16. Piggy [Ghosts]
17. The Greater Good
18. Pinion [Interlude]
19. Wish
20. Terrible Lie
21. Survivalism
22. The Big Comedown
23. Ghosts 31
24. Only
25. Down In It
26. Head Like A Hole

ENCORE

27. Echoplex
28. Reptile
29. God Given
30. Hurt
31. In This Twilight

Year Zero May Become an HBO Series

Trent Reznor wants nothing more than to continue his Year Zero concept into a new medium, preferably series television. “It’s the most exciting thing on the horizon, it’s the thing that when I wake up in the morning it makes me say, ‘God it would be cool if that happened,” expresses the Nine Inch Nails mastermind of his ambition.

As stated in an earlier Fishpork news post, Trent Reznor’s Year Zero concept may be developed beyond the album and into a TV series, which he prefers to a film or graphic novel. ”That was the route we were going to go with initially. We talked to a different companies about releasing it. But it didn’t feel quite right. We thought about a film, but that has a different timetable and too many people need to say yes. That wouldn’t line up right. then I started thinking about how I could make it really interactive, something you experience rather than something you read.”

In the most exciting news of all, the LA Times is reporting that Reznor officially pitched the idea to HBO two weeks ago. “Ideally, we’re trying to get them to do a two-year limited series. I prefer that over a film, ” Reznor says of his intentions. So how is HBO responding to the idea of putting Reznor’s concept of a dark world 15 years into the future that has been devastated politically, religiously and environmentally? Reznor reports, “It was fun sitting and telling [the HBO] guys and watching them shake their head and having writers on board and producers that are in to it. It’s been a fun thing.”

The project has breathed new and exciting life. HBO is known for creating some of the most critically acclaimed series that television has ever seen (Six Feet Under, The Wire, The Sopranos, etc). Unleashing Reznor’s concept of a post-Bush era would add another significant notch to their belt. As for Reznor, he also plans to finish the concept with a second album and another tour. “There would be (another) tour down the road. The (second) record completes the story, the ending that no one knows. I know what happens. I knew when I started it. And it’s not what people think.”

For more information on the Year Zero Concept, check out 42 Entertainment’s Case Study here.

Year Zero: The TV Series?

Trent Reznor (Nine Inch Nails) has mentioned in several dated interviews that he had contacted several people in “the business” about the possibility of bringing his Year Zero concept to cable television. He even mentioned conversations with Quentin Tarantino’s longtime producer, Lawrence Bender. All of it sounded promising. However, we’ve gone a while without any mention of the project, which shouldn’t be a surprise. Trent remained tight-lipped and surprised all with the quick releases of his last three albums: Year Zero, Ghosts !-V, and The Slip.

The good news is that Trent mentioned in a recent radio interview that the concept is alive and well and in the works with TV execs, although explicit details were not revealed. At this point, you have to think that this is really going to happen, especially with Lawrence Bender still potentially involved. Ideally, HBO or Showtime would be the ideal home for such a controversial and dark depiction of the near end of the world fifteen years in the future. However, a non-premium cable station like FX, known for pushing the envelope with shows like The Shield and Nip Tuck, would also work. Hopefully, the show will not find a home on network television opposite Terminator: The Sarah Connor Chronicles. 

In the interview Trent also mentioned that he is already working on the next project. When asked if the Lights in the Sky concept of the tour and the visuals on stage were supposed to invoke feelings similar to the Twilight Zone or other-worldliness, Trent responded, “Some of the imagery on the last record, The Slip, kind of dealt with that. And it also hints at what’s happening . . . what my next project is . . . which, of course, I can’t tell you about.”

You can listen to the interview here!