Above The Influence: An Interview With Count From Inu
March 8, 2010 by Nicholas
Filed under Featured, Interviews
With the release of their Monster EP, Inu is a band to watch in 2010. The group consists of producer/drummer/vocalist Count, guitarist Tim Hingston, and cellist Zoe Keating. Fishpork got a chance to talk with Count about the band’s upcoming full album release, the lack of influences on the songwriting process, and some potential live shows for 2010.
How did you hook up with the other band members to form Inu?
When you guys write songs, what’s that process like?
I wrote a raving review of your Monster EP a few weeks ago. I called it “one of the best of the year so far.” What can we expect on this new album?
What kind of music are you guys listening to right now?
Did you have a favorite album of 2009?
What can we expect from your live shows?
What’s in store for the band in 2010?
http://www.myspace.com/inuband
EP Review: Monster
Inu is an intriguing new collaboration between a few established musicians. The group consists of producer Count, guitarist Tim Hingston, and cellist Zoe Keating. Count has produced, mixed, remixed, and engineered with some of the greatest; everything from Radiohead to Frank Sinatra to DJ Shadow. Tim Hingston is the guitarist from the Nyles Lannon band. He performed with them at SXSW in 2008. Zoe Keating has played with the Dresden Dolls, toured with Imogen Heap on five tours, worked on solo albums, and was in the band Rasputina (a personal favorite). She creates a unique sound as a cellist by mixing spacey electronics through the use of a laptop controlled with her foot.
Inu’s Monster EP is going to be one of the best 2010 has to offer. Every song on the album is an intriguing mix of electronica and rock. The record starts with “The Bailing,” a track that seems to be inspired by Radiohead’s Amnesiac. The mix of electronic soundscapes, guitar, and percussion is near perfect and highlights the unique talents of each member of the band. The most straightforward “rock” track on Monster is “Stephen Colbert.” The synthesized vocals, distorted guitars, and consistent down beat of the snare drum are elements of an elaborate and beautiful composition. All five tracks on the EP are standouts, but the most impressive track is “Captured,” with its soaring vocals and Keating’s haunting cello. Monster is an impressive EP; I can’t wait for the full length album!
You can stream Inu’s entire Monster EP on their MySpace page:


