Of Montreal @ Music Hall of Williamsburg

As Of Montreal wrap up their current tour of 2000+ seat venues in North America before heading over to Europe and Australia, a spot on Letterman brought Kevin Barnes and his troupe of musicians and actors to the Music Hall of Williamsburg in Brooklyn for a small club performance. The Music Hall show was announced only a few days prior to the on-sale date, and it sold out in less than 45 seconds. The 550 or so die-hard fans that were lucky enough to hit refresh on their keyboards fast enough to get their tickets and stood through about thirty minutes of a backstage DJ set (as the Of Montreal prepared to take the stage).

Four golden Buddhas took the stage around 11:15pm and stood motionless for a few minutes before keyboardist Dottie Alexander, guitarist Bryan Poole (aka The Late B.P Helium,) multi-instrumentalist Jamey Huggins, bassist Davey Pierce and Drummer Ahmed Gallab took the stage. As the opening “Id Engager” bass line started (from their most recent LP Skelatal Lamping), Barnes threw open the back stage door and screamed the opening high-pitched “Ahhhhhyeaahhhh!”  It was an non-stop party from that moment on.

Kevin Barnes wrote and played just about every note on his last two records, mostly recorded in the attic of his Athens, GA home (with the rest done in Norway). His dark, sexual brand of melodic pop translates perfectly to the stage. Every song had sketches to accompany them, involving a troupe of ninja actors with ever changing costumes and art props. If Barnes wasn’t stripping down to his gold-colored vinyl underwear held up by an over-sized purple belt, he was wearing a half fur coat or clergy dress.

A large projection screen was filled with the familiar artwork from Kevin Barnes’ brother David, with images that have graced the covers of this records and the six foot horse collages that accompany the Lamping vinyl. If that wasn’t enough, at one point during “Gallery Piece,” when he sings the line “I want to be your what’s happening,” Rerun and Raj from the 70s sitcom of the same name show up on the back screen to a roar of laughter from the crowd. It was just impossible not to be entertained by this show.

During “Plastic Wafers” the four actors with Buddha heads returned with sponges of washable red paint in their hands and began to lather up a near naked Barnes until he was entirely covered. As the song continued, the Buddhas turned to the audience and lathered up the faces of everyone that was up near the front of the stage (myself included). Audience participation was not optional and that continued until they closed their set with “A Sentence of Sorts in Kongsvinger”

When Kevin Barnes is on stage half naked or wearing his blue eyeshadow and matching sequence shirt over his white blouse, it’s easy to forget the early Elephant6 days where Barnes would sheepishly hide behind his acoustic guitar and sing his power-pop songs. I can only imagine what it must of been like in the Athens house that Barnes shared with Jeff Mangum, of Neutral Milk Hotel, and Will Hart and Bill Doss, both of Olivia Tremor Control. When Barnes finished writing 2004′s Satanic Panic, his breakaway from the traditional Elephant6 sound, he even considered changing the band name to close that chapter of music but decided it would be more interesting to carry a catalog that was more diverse. Diverse it is.

The sound was mixed well and warm tones were crisp. Barnes’ guitar playing was on point and the entire band was tight. As expected, the set was very Hissing Fauna are you the Destroyer? and Skeletal Lamping heavy with a few tracks off Sunlandic Twins and Satanic Panic. The show was a non-stop 2-hour set that featured a mind-blowing 30 songs.

Barnes would run off stage every 3rd or 4th song for costume changes (after throwing his outfit he was wearing into the crowd) and fans fought over a white mink, a pair of blue glasses or a sequenced jacket. For the last few songs he wore what looked like an old-time diner waitress uniform with a large “K” embroidered near the left shoulder. As Barnes walked off stage the audience waited for him to fling it into the audience as well, but as he walked off he smiled and commented “I just bought this one today, so I’m going to break it in a little.”

Of Montreal came out for a three song encore with a great version of “Gronlandic Edit” and “Oslo In The Summertime.” They have been closing with a different cover almost every show on this tour, and we were treated to a Barnes interpretation of Tom Petty’s “American Girl.”

One moment that sums up the Of Montreal experience happened in-between songs when Barnes looked around for his cup of vodka and orange juice that was poured for him during one of the background performances. He found it laying near the drum kit where much of the stage performance action was going on.  He looked into it then pulled his mouth away from the cup. He then asked the crowd, “who here is 21?” A fever of hands raised up, and he walked over and gave his cup to an enthusiastic fan. As the kid took a sip, Barnes commented, “I hope you like the taste of silver sparkles.”

Kevin Barnes channels the over-the-top transsexual/she-male Georgie Fruit, and it’s done so well that its hard to imagine Barnes being any different in real life. Much like a Flaming Lips show, the theatrics do not supersede the performance of the music — it only compliments it. There are not many artists that could pull this off without distracting the audience from the music, but its pure symmetry when it comes to Of Montreal.

I grabbed Dottie’s set list as she walked off stage.

Of Montreal – She’s A Rejector (Live @ Music Hall of Williamsburg)

Of Montreal – Gronlandic Edit (Live @ Music Hall of Williamsburg)

Our friend NYCTaper has the entire set for download here.

http://www.myspace.com/ofmontreal
http://www.ofmontreal.net/

Of Montreal @ The Electric Factory

Most indie rock fans and critics agree on one thing: Kevin Barnes has lost his fucking mind. He has transformed himself into the lovechild of David Bowie and Prince. The problem is that some embrace the path he has chosen to move in (heavy on the dance and soul with stage persona Georgie Fruit, a black transvestite), while others long for the days of Cherry Peel (acoustic, lo-fi diddies). Although I appreciate both phases of Barnes musical career, I must admit the new Barnes has made a much bigger fan out of me. And, for the record, I do think he’s more talented than both Bowie and Prince. I love Bowie, but his most recent solo tour is marred at the bottom of my list (and my list is long) as painfully boring. Of Montreal is currently on tour supporting their dance-heavy, sex-oriented ninth studio album, Skeletal Lamping. I was lucky enough to score tickets for the Electric Factory in Philly on Halloween!

Several web sites have posted pictures of shows from this tour. And the extravagant stage production really peaked my interest. There was no excuse for a live show performed by the band of one of our favorite albums of the year to come and go without our attention. For the most part, the excitement of Skeletal Lamping transferred well to the stage. However, the sound at the Electric Factory is as bad as it gets and has been almost inaudible during many shows I’ve attended there. This night was no different. The opening band, Gang Gang Dance was mixed as poorly as I’ve ever heard. From what I did hear, I enjoyed their tribal dance arrangements. I did feel bad for singer Liz Bougatsos who’s experimental chanting vocals were completely drowned out by the venue.

Of Montreal took the stage about 30-45 minutes after Gang Gang Dance’s set. The crowd responded well to the dimming lights, as the band members took the stage wearing superman costumes. Barnes was the last to enter, as he was escorted onto stage Egyptian style, within a small carriage covered by curtains and lifted by several of his “slaves.” To the crowd’s surprise (and delight) Barnes crawled out also dressed in Superman attire, although his suit contained (fake) muscles. Even before he exited his royal carriage, the opening howls of the band’s latest single, “Id Engager,” could be heard. The crowd immediately recognized the track, and all hell broke loose.

The show, much like Skeletal Lamping, headed right into schizophrenia. Barnes’ latest compositions are rather disjointed, with many comparing the structure to that of a Girl Talk record. You never know when one song ends, and the next begins. This works better on an album than it does live. The band’s style has changed between albums before, but nothing as dramatic when comparing the last three releases to earlier albums in the discography. The transformation is so startling, that it’s hard to believe Barnes and company are still technically part of Jeff Mangum’s Elephant 6 Collective. Highlights of the show included Barnes sitting on a throne with sultry nuns at his feet, walking around as a minotaur (half-man/half-bull), and appearing almost nude with his “dick in a box.” Barnes ended a night at the circus with his rendition of Nirvana’s immortalized “Smells Like Teen Spirit.” The ending seemed a little out of place, but the crowd appreciated the homage.

Setlist:

1. intro
2. Id Engager
3. So Begins Our Alabee
4. Triphallus, to Punctuate!
5. She’s A RejecterFor
6. Our Elegant Caste
7. Touched Something’s Hollow
8. An Eluardian Instance
9. Heimdalsgate Like a Promethean Curse
10. Gallery Piece
11. Wraith Pinned To The Mist (And Other Games)
12. Women’s Studies Victims
13. St. Exquisite’s Confessions
14. Superman
15. Nonpareil Of Favor
16. October Is Eternal
17. Wicked Wisdom
18. Disconnect The Dots
19. And I’ve Seen A Bloody Shadow
20. Plastis Wafers
21. Beware Our Nubile Miscreants
22. Mingusings
23. “Lavender Dick Rub”
24. A Sentence Of Sorts In Kongsvingerencore

ENCORE:

1. Day ManGronlandic Edit
2. Oslo In The Summertime
3. Smells Like Teen Spirit

The entire show is available in high-quality FLAC format here.

New Of Montreal LP Leaks

Skeletal Lamping, one of the most anticipated indie records set to release this Fall, has leaked to torrent sites all over the Internet. Of Montreal falls under the extended family of Jeff Mangum’s Elephant 6 music collective from Georgia. Led by pretentious indie pop maestro Kevin Barnes and his inner demons, Of Montreal reached unanimous critical acclaim with their last effort, Hissing Fauna, Are You the Destroyer? That album contained some of the catchiest indie pop hooks ever recorded. More interesting were its lyrics. Barnes had just separated from his wife and was overcome by antidepressant medication and suicidal thoughts. The concept album was the first citing of his glam rock alter ego, Georgie Fruit. This guy’s the most pretentious artist working today, but he does put out great records. He described the new album on his MySpace page recently:

it is possible to view this album as one long composition, with lots of different movements, or just as a collection of pop songs. i wanted to make an album that was unpredictable and, at times,startling, yet always hummable and catchy. some of the transitions are intentionally awkward. i did this to keep the listener off guard and to dismantle people’s perception of how an album is supposed to be constructed. i am so bored with art that makes sense and “works”. i wanted to do somethings that didn’t “work”. very few things pique our interest while they are working as we expect them to, things are far more interesting when they are not working. shocking people though, just for the sake of it, is so mundane. nothing on Skeletal Lamping was intended to shock. i just feel that,in most contemporary songs, you can basically finish the artist’s sentences,musically and lyrically. i wanted to make an album where that was not possible.

Due in October, Skeletal Lamping has leaked almost two months early. You can find it on almost any torrent or file sharing site you look. Full review coming in the next few weeks.

http://myspace.com/ofmontreal