Jónsi’s performance Saturday night at Terminal 5 left no emotion unfurled. I’m not sure if there an a word in the English language that can adequately describe the degree of emotional stimulation his music brings when fused into the visceral stage production assembled for this tour.
Jónsi decided to embark on a solo record while the other members of Sigur Rós are having children and imagined it to be a quiet acoustic record. The sound of his first solo record go quickly grew into a much larger production. He wanted to reflect this sound with an equally massive stage production. Jónsi enlisted Phil Eddolls and 59 Productions, a company that usually produces operas, bringing a unique stage show of film, art installation, and theater performance as a backdrop for the show. The concept is inspired by a book featuring photos of a burned out taxidermist shop.
The show began with simplicity. Jonsi and his acoustic guitar playing the subdued unreleased track “Stars In Still Water” in front a tan curtain covering the back of the stage. Having seen a few online videos I waited for it to drop and give way to the elaborate set design behind it. However, this was not the case. Halfway through the second song, “Hengilás,” the unassuming tarp transformed into a gigantic, tea-stained piece of paper adorned with sketches of brooding animals. Now realizing it was actually a screen, the digital image that covered the entire back of the stage began to burn away with a stunning digital fire as the strings picked up and the song came to an end. What was left behind was a darkened forest of burnt trees in various states of decay, with two separate smaller screens in front of the stage illuminating images of a glass jar filled with an ocean of butterflies for the next song, “Icicle Sleeves.” What followed was the first of many jaw-dropping moments and an almost indescribable series of stunning images. Animals changing form, becoming wire frames, then shedding their color while chasing one another through a dead forest of night for the song “Kolniður.”
The calm tension of the song “Tornado” led into the thunderous drums of “Sinking Friendships,” which stood as the musical shift of a consistently rising tempo for each song. Each one sounded louder than the previous and never let up. Ending with Jónsi in a feather headdress, violently shaking his head and body, while belting out the final lyrics “They, in the end, will turn and fall, You’ll know…” from the closer “Grow Till Tall.” It left the crowd and mysefl disoriented and overwhelmed with his almost frightening ability evoke emotion. Full set list and a few Youtube videos below, giving a peek into the experience.
Setlist:
Stars in Still Water
Hengilás
Icicle Sleeves
Kolniður
Tornado
Sinking Friendships
Saint Naive
New Song
Go Do
Boy Lilikoi
K12
New Song
Around Us
Encore
Animal Arithmetic
Grow Till Tall


Fuck Button’s Tarot Sport is a mesmerizing exercise in electronic musical composition. The album displays an uncanny ability of the noisy electronic duo to do the impossible: transform indecipherable bleeps and glitches into highly accessible (even your Grandma might dig this shit), 10-minute instrumentals. Each track is repetitive but highly melodic and catchy. Andrew Hung and Benjamin Power build up each song slowly and reward patience with hypnotizing crescendos that induce goosebumps on repeated listens. Imagine Sigur Ros and Aphex Twin collaborating on a album.
Sigur Ros frontman Jonsi Birgisson’s first track off of his forthcoming solo album is called “Boy Lilikoi.” The song features string arrangements by Nico Muhly. Instead of singing in Icelandic or made-up Sigur Ros gibberish, the lyrics are in English. If this song is any indication of how good the solo effort will be, Sigur Ros fans have much to look forward to. I just hope this doesn’t end up in 100 movie trailers like other Sigur Ros songs: